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Composition
Welcome!
Introduction (3:18)
Didgeridoo music (4:25)
Discipline and comfort zone (3:52)
Writing rhythms (4:11)
Record not to forget (1:45)
Listen to music (1:58)
The composition (5:07)
From sounds to Pattern
Introduction (2:24)
Simple patterns (5:07)
Around breathing (7:46)
Complex patterns (7:02)
Konnokol basics (30:44)
Konnokol with Didgeridoo (5:19)
Conclusion (1:29)
From patterns to phrase
How long? (6:35)
The metronome (6:22)
Simple phrases (6:35)
Translating into Konnokol (4:26)
Complex phrases (7:07)
Conclusion (1:01)
Rhythmic music theory
Introduction (1:56)
Note duration (3:11)
Time reference in 4/4 (5:41)
Rhythmic signature (6:30)
Triple rhythms (4:15)
Triple practice (5:51)
Double VS Triple (5:46)
Asymmetrical measures (5:34)
Asymmetrical practice (5:53)
Indian counting (1:40)
Conclusion (3:06)
From phrases to theme
Introduction (2:24)
The obvious simplicity (1:39)
Staccato vs legato (9:02)
The groove (3:40)
Pattern length (7:40)
Doubling vs splitting time (5:21)
The crescendo (6:12)
Improvisation spaces (4:21)
Follow the sound (5:13)
Breaks (8:48)
Fills 1 : boost your end of cycle (8:48)
Fills 2 : the length of the fill (5:43)
Beatbox layering 1 : The Howa pump (11:06)
Layering beatbox 2: Deconstructing (5:27)
Snare position (6:12)
Conclusion (1:28)
From themes to song
Introduction (2:20)
Pleasure and compromise (2:54)
Binary and ternary form (5:20)
Compound forms (3:47)
The Rondo form (6:37)
Theme evolution (4:22)
Intensity curve (3:34)
Contemporary structures (9:10)
Dubstep and EDM (4:31)
Rock/pop structure (6:26)
Conclusion (2:17)
Wrap up - Tell me what you think
Training section
How does it work? (2:57)
Pump 5 (3:34)
Duzwit (3:22)
Groovy percs (3:54)
Impossible mission (3:01)
Kick crescendo (2:33)
Man is a man (3:54)
Take 5 (3:14)
Afro Cuban (3:13)
Triple Drum'n'Bass (3:31)
Bossa (4:09)
Cut the one (1:42)
JMPZ - My World (4:50)
Layering Beatbox (2:44)
Turkish (4:15)
Thanks Konnokol! (3:14)
Drum'n'Bass to Hip-hop (3:53)
Galloping pattern (4:25)
Rock to Dubstep (3:39)
Rumba (3:18)
Staccato to Legato (5:29)
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Intensity curve
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